Saving Private Ryan Essays (529 words) - Cinema Of The United States

Saving Private Ryan In critiquing Steven Spielberg's movie Saving Private Ryan, I realized that you can not base a move only on realism. A good movie has got to have some kind of character or formalism to carry the viewer through these realistic scenes. Spielberg not only uses these tools but also showed stereotyped images in his characters. In my critique I wish to point out some uses of realism, formalism, and stereotypes in the movie Saving Private Ryan. In my eyes Saving Private Ryan is a masterpiece. Even though the movie is nearly three hours in length, it is evenly distributed and takes on a powerful subject. Private Ryan wasn't merely another war movie, I really felt it caught the soul of war. The film begins with a half-hour sequence of the landings at Normandy on D-Day. Many films have portrayed this D-Day scene, but have failed to me in realism. In Private Ryan, realism portrayed in a nearly exact replica of war. To achieve this Steven Spielberg displayed the battle scenes, as the next step could be the moment of death. Limbs are blown off in mid-shot; guts splay out of uniforms and onto the sandy beach; soldier in mid-sentence are startled by bullet holes blossoming on their foreheads. Bloods sticks to the lens of the camera. In doing so Spielberg mastered the opening of Saving Private Ryan as far as realism. Roberts 2 The D-Day sequence actually has nothing to do with the story of Saving Private Ryan. Formalism kicks in when Miller and what's left of his small platoon receive orders to retrieve a private Ryan (Matt Damon) from somewhere on the forward line in France. Ryan's brothers have all died in combat in the last week, and General wants to pull the private back to the states, to spare Mrs. Ryan the heartbreak of having all of her boys killed in action. Never have I seen a documentary that made a box office hit solely on realism so I feel Spielberg's plot was well worth wild. Not only did I see realism and formalism in Saving Private Ryan but Spielberg's platoon of men consisted of the usual melting-pot collection of stereotypes. The loyal meat-and-potatoes sergeant, loudmouth Brooklyn-Irish critic, combat virgin, wisecracking Jew, big-hearted Italian, bible-quoting sharpshooter. Although, Tom Hanks goes against stereotype in this movie. Captains are usually portrayed as rock-hard and without emotion. In this movie, Tom Hanks shows a very caring and calm portrayal of a military captain. As a platoon movie, Saving Private Ryan is engrossing, with some sharply written conversation and brilliantly executed scenes of danger and violence. Although I feel this movie is reaching for a grander scale, as an attempt to make the war movie more realistic and less Hollywood-ized, Private Ryan is often shockingly effective. There are moments in this film where I thought, what was about to happen couldn't happen in a Hollywood movie, let alone a Steven Spielberg movie and then, unbelievably, it happens. All and all, I Roberts 3 loved every hour of Saving Private Ryan. Seeing this movie after a few Cinema Appreciation classes I seem to have caught things that would have other wise been looked over. Such as, realism, formalism, and stereotypes to which built a good foundation and created a good movie.

Midnight Cowboy analysis essays

Midnight Cowboy analysis essays The film Midnight Cowboy has many symbols and representations and the interpretations of them. The symbols and representations in the film are obvious and also unseen. Some of the obvious symbols have concrete interpretations and some symbols have many thoughts on what it represents or means. The name of the film, itself, is a symbol or has a deeper meaning. Midnight Cowboy, a midnight cowboy is a cowboy at that comes out at night and in New York cowboys of the night are hustlers, which is a symbol the wannabe life of the lead character. Through these symbols this film, Midnight Cowboy, is a good movie. Joe Buck, an aspiring male prostitute from Texas, heads to Manhattan where he hopes to find plenty of wealthy women willing to pay for the services of a handsome man. When he arrives, the naive country boy befriends Ratso Rizzo, a tubercular homeless con artist who dreams of moving to Florida. As they go about trying to get the money Ratso needs, the two men confront the seediness, corruption, and cruelty that flourish in the big city. The first of many obvious symbols is the bus. The bus symbolizes the escape, the getaway, or the new beginning. This is presented when Joe Buck leaves Texas on a bus to get to New York. Joe went to New York to be a hustler. The dictionary meaning of hustler is one who jostles or shoves roughly. This is the opposite of Joe; Joe as a child jostled with loneliness and not having any real parental figures. This hustler term could be representative of the rape scene. Joe and his girlfriend, Crazy Anne, were raped by some of the towns boys. Joe was jostled and is shoved roughly in the situation in his life. Another symbol is the flashbacks. Joe wanted to leave his past behind him but it kept popping up in the flashbacks. The flashbacks symbolizes just because you leave your situations you cant forget your past. The individual flashbacks a...

DYSLIPIDEMIA Assignment Example | Topics and Well Written Essays - 750 words

DYSLIPIDEMIA - Assignment Example Dyslipidemia is an important component of the cluster of abnormalities in metabolic syndrome, basically implying an imbalance of lipids in circulation in the blood stream (Ruotolo & Howard, 2002). Dyslipidemia is characterized by increased triglycerides, lower high-density lipoprotein cholesterol, HDLc, postprandial accumulation of lipoproteins rich in triglyceride and small, low density lipoproteins, LDL. It involves reesterification, this being the process of circulating free fatty acids getting oxidized and then synthesized back into triglyceride. Being a component of a syndrome related to many risk factors, metabolic syndrome, dyslipidemia presents a complex pathology. Even so, Foster and Prevost (2012) cite oxidative stress as a key hypothesis regarding the pathology of dyslipidemia. Oxidative stress, referring to the surplus of reactive oxygen species, ROS to antioxidant, fosters insulin resistance. This could occur because of excessive production of ROS which would overwhelm the capacity of ROS antioxidant or decrease production of antioxidants to inactivate ROS. Obesity has also been cited as a metabolic predisposition which eventually leads to dyslipidemia. Genetics also affects metabolic predisposition to resistance to insulin and dyslipidemia. Dyslipidemic conditions require laboratory testing to establish the specific abnormal blood lipid content or the lipoprotein content. As such, laboratory testing would involve measuring a blood sample for blood lipid profile and should be done every 5 years from as early as age 20. The levels of LDLc could be determined directly or using the Friedwald formula given by: This formula would however not be applied in cases where the triglyceride level of an individual exceeds 400 mg/dl. Notably, the basic lipid profile totaling triglyceride, HDLc and LDLc could fail to provide a clinician with adequate information to effectively diagnose dyslipidemia. In such cases, more sophisticated procedures